CONTACTS
AI DESIGNER / CREATIVE DIRECTOR
1 / SELECTED STILLS - CONCEPTUAL VISUAL ART
A collection of independent visual works developed as conceptual stills. Each image stands on its own—exploring themes of silence, perception, identity, time, and the quiet tensions between the inner world and external structures.
Rather than forming a linear narrative, these works function as fragments: moments where emotion, symbolism, and form briefly converge.
THE WEIGHT OF SLEEP
CONCEPT
Sleep is often imagined as rest, but it can also become a place of pressure.
In this still, the body appears anchored beneath an oversized, quilt-like structure—soft, domestic, and overwhelmingly heavy. The familiar comfort of sleep transforms into a physical and psychological weight, blurring the boundary between protection and confinement.
The figure remains awake, upright, and exposed, suggesting a state where rest no longer restores, but restrains. The symmetrical room and pastel tones reinforce a sense of calm on the surface, while the scale and mass of the bed reveal an underlying tension— where stillness becomes immobility.
POMONA REGALIS
CONCEPT
Inspired by classical representations of abundance and fertility, Pomona Regalis reinterprets the Roman goddess Pomona through a contemporary, symbolic lens. The figure is crowned with fruit and flowers—lush, ripe, and meticulously arranged—forming a halo that oscillates between celebration and excess.
While traditionally associated with nourishment and prosperity, the abundance here becomes almost ceremonial, bordering on burden. The subject’s gaze remains still and distant, suggesting the quiet weight of expectation placed upon ideals of beauty, productivity, and femininity. Nature is not merely worn—it is performed.
This still explores the tension between reverence and objectification, questioning when abundance transforms from gift into obligation, and when identity becomes inseparable from what it is meant to produce.
SHELTERED BY NATURE
CONCEPT
Sheltered by Nature explores the fragile balance between human presence and the protective illusion of nature. The oversized mushrooms rise like monumental shelters—simultaneously organic and uncanny—suggesting refuge, scale distortion, and quiet displacement.
The solitary figure walks beneath them without interaction, reduced in size and agency, as if passing through a world no longer calibrated to human proportion. Nature here is not gentle nor threatening; it is indifferent. Protective in form, but silent in intent.
This still reflects on humanity’s desire to be shielded—by nature, by systems, by myths of return—while questioning whether such protection is real or merely symbolic. The environment dominates, not as a force of harmony, but as a reminder of how small and transient the human presence truly is.
STILL STANDING, STILL CENTERED
CONCEPT
This still addresses representation, hierarchy, and the persistence of perceived dominance. Four figures move in the same direction, at the same pace, framed as equals within the composition—yet history, power, and social structures are not erased by symmetry.
Although people of European descent represent a minority on a global scale, they continue to occupy positions of centrality and assumed authority. The presence of two white figures among one Asian and one Black figure subtly reflects this imbalance: numerical equality does not necessarily translate into equal power.
The architecture behind them functions as a silent witness—rigid, monumental, and unchanged—symbolizing systems that outlast generations and continue to reinforce inherited hierarchies. Movement suggests progress, but the structure remains intact.
This image does not accuse; it observes. It holds space for discomfort, asking whether representation alone is enough, or if dominance simply adapts its visual language while remaining structurally untouched.
HELD IN PLACE
CONCEPT
A suspended body appears weightless, yet nothing in the scene suggests freedom. The figure floats, but remains carefully positioned—contained by symmetry, architecture, and invisible constraints.
The chandelier above evokes refinement, tradition, and inherited status; the heavy dress expands like an anchor rather than a liberation. What seems elevated is, in fact, immobilized. The space is pristine, controlled, almost ceremonial—leaving no room for disorder, collapse, or escape.
This still explores the paradox of elevation without agency: being placed on display, admired, and preserved, while remaining fundamentally unable to move. Stillness becomes a form of control, and balance a quiet negotiation between restraint and endurance.